Alongside the 6-part series of tutorial videos about Ableton Live 11 Lite I made for the Feb '22 issue of Computer Music Magazine, I also did an interview. The one that was published was quite radically cut down, so here's the interview in full:
Can you give me a biog about yourself, how and why you got into music production?
My two main obsessions growing up were music and computers, so I suppose it was inevitable that I would end with a career producing music on a computer! I started learning the piano from six years old, as well as singing in the school choir. I was an 80’s kid with home computers in their infancy, so the first sequencer I used was called ‘MIDItrack Performer’ using an EMR interface on a BBC B computer. I connected my Yamaha DX-7 and Roland S-10 sampler, and together with a Yamaha 4-track cassette recorder (borrowed from my uncle), I was making early demos in my teens. At the same time, I was in a band at school, and we used to spend weekends rehearsing and playing gigs whenever we could. Our school friends were really supportive, making flyers and turning up to our small gigs.
Once I left school and went to University in London, I continued to get together with my school bandmates to work on demos. We were called ‘The K-Creative’ and influenced by Hip Hop, House, and Jazz. It led to us being signed to Gilles Peterson’s Talkin’ Loud label in 1991, and this was officially the start of my music career.
After releasing our debut album ‘QED’ we ended up going our separate ways, but I started to work more on my production skills, writing with other artists, making radio jingles, and playing at jam sessions to build up my network of contacts. This eventually led to a record deal with Columbia France in 2000, and I went on to release three solo albums, ‘Life Changes’, ‘Rising Son’ and very recently ‘Short Circuits’. Throughout my career, I have also played keyboards with bands and artists like Galliano, Raw Stylus, Two Banks of Four, and Kylie Minogue, remixed over 50 tracks, and worked at Xenomania. I currently release music on my own label, Primaudial Records, continue writing and producing with artists such as Incognito, Dave Lee, Duke Dumont, and Valerie Etienne, as well as having an ambient electronic project called Ayota.
And how did you go from there to become an Ableton Certified Trainer?
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